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  • Events
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      • Symposia on ‘The Transmission of the Bible’
      • The New Series (2001-)
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
      • RGME Symposia: The Various Series
      • The Research Group Speaks: The Series
      • Meetings of the Friends of the Research Group on Manuscript Evidence
      • RGME Online Events
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
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      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
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J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Verso, with part of Psalm 117 (118) in the Vulgate Version, set out in verses with decorated initials.
2026 Annual Appeal
Private Collection, Ege's FBNC Portfolio, Dante Leaf, Verso, Detail. Reproduced by Permission.
2025 RGME Autumn Colloquium on Fragments
Workshop 8: A Hybrid Book where Medieval Music Meets Early-Modern Herbal
2025 RGME Autumn Symposium on “Readers, Fakers, and Re-Creators of Books”
“Thresholds and Communities”
RGME Workshops on “The Evidence of Manuscripts, Etc.”
2025 International Medieval Congress at Leeds: RGME Program
Episode 21. “Learning How to Look”
2025 International Congress on Medieval Studies: Program
2025 RGME Visit to Vassar College
Two Leaves in the Book of Numbers from the Chudleigh Bible
Delibovi on Glassgold on Boethius: A Blogpost
Ronald Smeltzer on “Émilie du Châtelet, Woman of Science”
2025 Spring Symposium: “Makers, Producers, and Collectors of Books”
Starters’ Orders
The Weber Leaf from the Saint Albans Bible
Workshop 4. “Manuscript Fragments Compared”
Episode 20. “Comic Book Theory for Medievalists”
Episode 19: “At the Gate: Starting the Year 2025 at its Threshold”
2025 Annual Appeal
Favorite Recipes for Lemonade, Etc.
RGME Visit to the Lomazow Collection: Report
2024 Autumn Symposium: “At the Helm”
Medieval Women’s Networks
A Latin Vulgate Leaf of the Book of Numbers
The RGME ‘Lending Library’
Florence, Italy, Ponte Vecchio from Ponte alle Grazie. Photo: Ingo Mehling, CC BY-SA 4.0 , via Wikimedia Commons
Episode 17. “RGME Retrospect and Prospects: Anniversary Reflections”
2024 Anniversary Symposium: The Booklet
2024 International Medieval Congress at Leeds: Program
Jesse Hurlbut at the Bonneville Salt Flats, Utah. Photograph Jesse Hurlbut.
Episode 16: An Interview with Jesse D. Hurlbut
To Whom Do Manuscripts Belong?
Kalamazoo, MI Western Michigan University, Valley III from the side. Photograph: David W. Sorenson.
2024 International Congress on Medieval Studies: Report
2024 Spring Symposium at Vassar College
Puente de San Martín: Bridge with reflection over the River Targus, Toledo, Spain.
2024 Grant for “Between Past and Future” Project from The Gladys Krieble Delmas Foundation Research Libraries Program
2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program

2026 Annual Appeal

November 7, 2025 in Manuscript Studies, RGME Annual Appeal

2026 Annual Appeal
for Donations
to Support
our Mission and Activities

[Posted on 7 November 2025]

We invite you to join our 2026 Annual Appeal, as the Research Group rounds out the extraordinarily successful year of accomplishments for 2025 (see below), and prepares for the future. That we were able to accomplish so much in 2025, in the face of many significant setbacks for funding and swift shifts in plans to host our activities, attests to the strength and vigor of the volunteers and donors (individual and institutional).

They all, in collegial collaboration, have made it possible to maintain course for our activities, to produce so many events both hybrid and online, to gather to learn about discoveries for research and the progress on work-in-progress, and to celebrate the delights of learning more about the marvels of books and their stories transmitted across the centuries. This momentum carries our plans forward to 2026, with activities already planned and more to come.

We turn to you to help us to maintain momentum and share the quest. Please donate what you can. For our small, deducated, nonprofit organization powered principally by volunteers, every donation can make a difference.

Ways to Donate Online and Other Ways

Ways to contribute?

There are many ways to help: Funds, Goods, Expertise, Time. All can help our work and mission.

For suggestions, see:

  • Contributions & Donations
  • Donations

1) Via Mightycause:

  • Donate to RGME
  • RGME 2026 Annual Appeal via Mightycause

2) Via Paypal, Venmo, ApplePay, Pay Later, or Debit or Credit Card:


Suggestions or Feedback?

Please leave your Comments or questions below, Contact Us, or visit

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A Community of Scholars,
Teachers, Students, Friends,
and Admirers of Books

We thank you for your support.

Please  join our community and join our cause.

******

Summary of Activities So Far

Building on the momentum and enthusiasm for this year’s accomplishments, we prepare more for 2026.

Activities in Progress and Accomplished in 2025

In 2025 we had:

Two Symposia dedicated to “Agents and Agencies” in the realms of books

  • 2025 Spring and Autumn Symposia

More Episodes for our online series “The Research Group Speaks”

  • “The Research Group Speaks”: The Series

More RGME Workshops on “The Evidence of Manuscripts, Etc.”

  • RGME Workshops on “The Evidence of Manuscripts, Etc.”

More Meetings of the Friends of the Research Group on Manuscript Evidence

  • Meetings of the Friends of the RGME

Logo (2024) of the Friends of the Research Group on Manuscript Evidence

Steps toward the preparation of a Cookbook of Favorite Recipes of the Friends of the RGME

  • For example, entries for Favorite Recipes for Lemonade, Etc.

Poster 2. 2025 Autumn Colloquium. Poster set in RGME Bembino.

Multiple conference sessions, sponsored and co-sponsored, at

1) the International Congress on Medieval Studies at Kalamazoo
RGME Activities at the 2025 International Congress on Medieval Studies

2) the International Medieval Congress at Leeds
RGME Activities at the 2025 International Medieval Congress at Leeds

By request, a special Autumn Colloquium on Fragments, in hybrid form, which had to move abruptly from the first host institution to a welcome instead at Princeton

  • 2025 RGME Autumn Colloquium on Fragments

Onward to 2026

Our website reports activities and projects as they unfold for the Year 2026, when our Theme centers upon “Transformation and Renewal”. Join us to see how they may unfold.

Please donate what you can to keep our organization on course, in the face of widespread challenges for funding. We are grateful for your support.

1) Via Mightycause:

  • Donate to RGME
  • RGME 2026 Annual Appeal via Mightycause

2) Via Paypal, Venmo, ApplePay, Pay Later, or Debit or Credit Card:


Information and Suggestions
for Donations in Funds and Contributions in Kind

  • Contributions & Donations
  • Donations

Many thanks!

J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Verso, with part of Psalm 117 (118) in the Vulgate Version, set out in verses with decorated initials.

J. S. Wagner Collection, Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Verso, with part of Psalm 117 (118) in the Vulgate Version, set out in verses with decorated initials.

*****

 

Tags: Friends of the Reaearch Group on Manuscript Evidence, Manuscript studies, RGME Annual Appeal, RGME Symposia, RGME Workshops on the Evidence of MSS Etc., The Research Group Speaks
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2025 RGME Autumn Colloquium Program Detailed

November 6, 2025 in Uncategorized

Detailed Program

2025 RGME Autumn Colloquium
of the Research Group on Manuscript Evidence

“Break-Up Books and Make-Up Books:
Encountering and Reconstructing
the Legacy of Otto F. Ege
and Other Biblioclasts”

Friday – Sunday, 21-23 November 2025
In Person, Hybrid, or Online by Zoom

Program

I. Program Overview

Day 1. Friday 17 October. 9:00 am – 5:00 pm EST (GMT-5)
— NOTE TWO DIFFERENT VENUES FOR FRIDAY Morning and Afternoon —

Morning Sessions at Green Hall (accessibility information). 9:00 am – 12:00 pm
Washington Road, Princeton, New Jersey 08542

Lunch Break. 12:00–1:00 pm

Afternoon Workshops with original materials at Special Collections, Firestone Library
(accessibility information)

Choose 1 of 2 (space is limited for in-person attendance)
2 Sittings:

1) Workshop 1. 1:30–3:00 pm (arrive at Firestone Library at 1:15 pm)
2) Workshop 2. 3:30–5:00 pm (arrive at Firestone Library at 3:15 pm)

Day 2. Saturday 18 October. 9:00 am – 5:00 pm

All-day Sessions at Nassau Presbyterian Church
(see also Nassau Presbyterian Church)
61 Nassau Street, Princeton, 08542
Accessibility information.

(Note: The original portion of the present building was designed and built by Charles Steadman and dedicated in 1836.)

Day 3. Sunday 19 October at 10:30am – 12:00am

Morning Sessions online. 10:30 am – 12:00 pm

Registration

1) ONLINE (Friday to Sunday)

    • 2025 Autumn Colloquium: Online Attendance Tickets

2) IN PERSON (Friday and Saturday)

    • 2025 RGME Colloquium IN PERSON: Tickets

3) IN PERSON WORKSHOPS 1 and 2 at Special Collections (Friday afternoon)
(Space IN PERSON is limited; the Workshops are also available ONLINE)
Choose 1. Registration is required.

    • Workshop 1 (1:30 to 3:00 pm EST=GMT-5), First Sitting
      Workshop 1 IN PERSON: Tickets
    • Workshop 2 (3:30-5:00 pm EST), Second Sitting
      Workshop 2 IN PERSON: Tickets

For information and updates see the Colloquium HomePage

  • 2025 RGME Autumn Colloquium on Fragments

II. Program in Detail

* = Research Group on Manuscript Evidence (Trustees, Associates, Consultants)

Note 3 In-Person Venues — Register for ONLINE or IN PERSON

1) Two Sessions Friday Morning (Green Hall: Hybrid)
2) Workshops Friday Afternoon (Special Collections: Hybrid)
— Register Separately for either Workshop for Attendance In Person!
3) Four Sessions Saturday (Nassau Presbyterian Church: Hybrid)

4) One Session Sunday (online by Zoom)

Day 1. Friday 21 November

Princeton University, Approach to Green Hall from the southwest (October 2025). Photograph by Mildred Budny.

Morning Session 1 (Green Hall Room 1-N-5)
9:00 am – 12:00 pm EST (GMT-5)

Morning Sessions – Green Hall, Room 1-N-5

Welcome and Coffee. 9:00–9:15

Session 1. 9:15–10:00 am. Registration, Welcome, and Introduction

Session 1
“Tracing the Background for Otto F. Ege’s Oeuvre:
The Making of Biblioclasts
and the Unmaking of Books”

Presider. * TBA

Speakers.

* Mildred Budny (RGME Director)
(in person)

“Welcome and Introduction: Books, Breakers, and Re-Makers”

* Scott Gwara (University of South Carolina, College of Arts and Sciences)
(online)

“What Did He Know, and When Did He Know it?
Otto F. Ege, Philip C. Duschnes, and the Invention of Middle-Class Manuscript Scholarship”

John P. Chalmers (Caxton Club, Retired Librarian)
(a report by representation)

“Medieval Fragments in the Context of Leaf Books:
History, Present, and Future Activity”

Q&A

Break. 10:00–10:15 am

Session 2. 10:15 am – 12:00 pm

Session 2
“Illuminating Otto F. Ege’s Fragments:
Case-Studies in Manuscript and Print”

Private Collection, Ege's FBNC Portfolio, Dante Leaf, Verso, Detail. Reproduced by Permission.

Private Collection, Ege’s FBNC Portfolio, Dante Leaf, Verso, Detail. Reproduced by Permission.

Presider. * TBA

Speakers.

* Lisa Fagin Davis (Director, Medieval Academy of America / Simmons University School of Library and Information Science)
(online)

“Ege, Biblioclasm, and Fragmentology in the Library Science Classroom”

Juilee Decker (Professor of Museum Studies & Co-Director of the Cultural Heritage Imaging Lab
at the Rochester Institute of Technology)
(in person or online)

“More than the Sum of Its Parts:
Fifty Original Leaves from Medieval Manuscripts as Example, Exemplar, and Assemblage”

* Mildred Budny
     and
* Michael Allman Conrad (School of Humanities and Social Science, University of Saint-Gall)
(in person & online = hybrid presentation)

Part I. “Dismembered but Remembered:
Otto F. Ege’s Copy of Dante’s Commedia with Illustrations plus Landino’s Commento (Venice, November 1491)”

Q&A

Lunch Break. 12:00–1:30 pm

Afternoon Sessions

Photo: Andreas Praefcke (June 2007), CC BY 3.0 <https://creativecommons.org/licenses/by/3.0>, via Wikimedia Commons

= Workshops 1&2 (Choice of 1)
Special Collections, Firestone Library
Princeton University

Sessions 3–4. 1:30–5:00 pm (hybrid):

Workshops 1 & 2
“Fragments at Princeton”
in Special Collections,
with Choice of 1 of 2 Sittings

Note: Registration for Attendance IN PERSON is necessary (space is limited)

Workshop Leader.

*Eric M. White (Scheide Librarian and Assistant University Librarian for Special Collections, Rare Books and Manuscripts, Princeton University Library)

Princeton University Library, Special Collections, 7927 recto. Artist’s test sheet with patterns, sketches, and pen-trials. Northern Italy, circa 1400.

Sitting 1 = Session 3. 1:30 – 3:00 pm — Workshop 1 (hybrid)

— In-Person Attendance: arrive at Front Lobby of Firestone Library for check-in at 1:15 pm

Break. 3:00–3:30 pm 

Sitting 2 = Session 4. 3:30 – 5:00 pm

Workshop 2 (hybrid)
— In-Person Attendance: arrive at Front Lobby of Firestone Library for check-in at 3:15 pm

Dinner (Optional) 7:00–9:30 pm at local restaurant at attendees’ expense

*****************

Day 2. Saturday 22 November at 9:00 am – 5:00 pm EST (GMT -5)

Presbyterian church in Princeton, New Jersey from a pre-1923 postcard From RG 428, Postcard Collection, Presbyterian Historical Society, Philadelphia, Pennsylvania. Image Public Domain, via Wikimedia Commons via https://commons.wikimedia.org/wiki/File:Princeton_NJ_Presby_PHS768.jpg

Venue: Nassau Presbyterian Church, Assembly Room (ground floor)
61 Nassau Street, Princeton

Session 5. 9:00–10:30 am

Session 5
“Traveling
With and Through the World of Fragments”

Presider. * N. Kivilcim Yavuz (Lecturer in Medieval Studies and Digital Humanities, University of Leeds)

Speakers.

* Michael Hensley (University of Hamburg)

TBA

Respondent.
* Augustine Dickinson (University of Muenster)

TBA

Scott Ellwood (Assistant Librarian, The Grolier Club of the City of New York)

“Facing the Unknown: Islamic Manuscript Fragments in the Grolier Club Library”

Irina Savetskaya (Special Collections Research Center, Syracuse University Libraries Syracuse University)

“Reconstructing a Medieval Medical Text from Manuscript-Waste Fragments
in the Bindings at the Strahov Library (Prague) and Syracuse University Libraries”

Q&A

Break. 10:30–11:00 am

Session 6. 11:00 am – 12:30 pm

Session 6
“Picking Up Pieces,
Bringing Them to Light, and Bringing Them Home”

Presider. * David Porreca (Department of Classics, University of Waterloo)

Speakers.

* Anna Siebach–Larsen (The Rossell Hope Robbins Library & Koller-Collins Center for English Studies, University of Rochester)
     and
Eleanor Price (University of Rochester)

“Fragmentary Notes: Creating the Idea of Medieval Music through Fragment Collections”

Josephine Koster (Winthrop University)
(online)

“Continuing the Hunt for Ege Manuscript 6: An English Cambridge Bible of the Early Thirteenth Century”

Respondent.
* Hannah Goeselt (Massachusetts Historical Society Library, Boston)
(in person)

“Using Auction Records and Tracking an Art-Historical Reconstruction:
Ege’s ‘Cambridge Bible’ as Case-Study”

* Richard Weber (Collector, Tennessee)
(online)

“Experiences of a Collector:  Fragments Dispersed by Ege and Others”

Q&A

Lunch Break. 12:30–1:30 pm

Session 7. 1:30 – 3:00 pm

Session 7
“Collecting, Curating, Cataloguing:
Reclaiming the Lost as Found”

Presider. * Barbara A. Shailor (Department of Classics, Yale University)

Speakers.

* Agnieszka Rec (Curator, Beinecke Rare Books & Manuscript Library, Yale University)

“The Otto F. Ege Collection (GEN MSS 1498) at the Beinecke Library: An Introduction”

Beauvais Missal (Fragment), Bloomington, IN, Indiana University, Lilly Library (Image via https://fragmentarium.ms/overview/F-rnci)

* Altstatt, Alison (University of Northern Iowa),
  Anna de Bakker (McGill University),
 and
   Debra Lacoste (Dalhousie University)
— Sponsored by the Digital Analysis of Chant Transmission (DACT) Project

“Compiling, Cleaning, and Completing Data:
Using the Cantus Database to Catalogue Ege’s Fifty Original Leaves
and Other Chant Manuscript Fragments”

Kate Steiner (Department of Music, Conrad Grebel University College)

“The DACT Project: A Brief Report on Work-in-Progress”

Q&A

Break. 3:00–3:30 pm

Session 8. 3:30 – 5:00 pm

Session 8
“Confronting and Reconstituting
the Legacies of Biblioclasts:
A Roundtable Discussion”

Presider. * TBA

Panelists (Alphabetical Order)

* Mildred Budny
  William Claspy (Director Emeritus, University Archives and Special Collections,
Kelvin Smith Library, Case Western Reserve University)
* Michael Allman Conrad
* David Porreca
* Agnieszka Rec
* Eric M. White

Q&A

Optional Dinner 7:00–9:30 pm at local restaurant (at attendees’ expense)

*****************

Day 3. Sunday 23 November at 10:30 am – 12:00 pm EST (GMT -5)
— Online only

Session 9. 10:30 – 12:00 pm

Session 9
“Picking Up the Pieces:
Examining Fragments of Books
in Their Find-Places”

Presider. * Jennifer Larson (Department of Classics, Kent State University)

Speakers.

* David Porreca (Department of Classics, University of Waterloo)
   and
Jordan Tardif (Department of Classics, University of Waterloo)

“Single Leaves of Manuscript and Early-Printed Books at the University of Waterloo:  An Overview”

* Katharine C. Chandler (Special Collections and Serials Cataloguer, University of Arkansas Libraries; Adjunct Faculty, San José University)

“Dispersed Manuscripts, Disrupted Histories: The Case of the Graduals of the Chartreuse de Champmol”

* David W. Sorenson (Allen G. Berman, Numismatist)

TBA 

* Mildred Budny
   and
* Michael Allman Conrad

Part II: “A Summing Up: On the Essence of Fragments and Recovery, with Ege’s Dante as Guide”

Q&A

* Mildred Budny

“Closing Remarks”

*************

Further Reading and Viewing

See the Handlist of Bibliographical References to accompany the Colloquium

  • Preliminary Handlist of Bibliographical References about Fragments

Please add suggestions for this list!

*************

Beinecke Rare Book and Manuscript Library, Otto Ege Collection. The Ege Family Portfolio, Leaves 41 and 42 in their mats, side-by-side, outside the opened box. Photograph by Mildred Budny.

New Haven, Yale University, Beinecke Rare Book & Manuscript Library, Otto F. Ege Collection GEN MSS 1498, Series 2. “Ege Family FOL Portfolio”, Leaves 41 and 42 in their Ege mats with labels, in front of the opened clamshell box in the readers’ room. Photograph by Mildred Budny.

Tags: Biblioclasts, history of printing, Manuscript studies, Medieval manuscripts, Otto F. Ege
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Workshop 9 on “Books as Thresholds and Communities”

November 5, 2025 in Uncategorized

“The Research Group Speaks”

Workshop 9
“Books as Thresholds and Communities”

Sunday 21 December 2025
Online by Zoom

[Posted on 4 November 2025]

For our series, see

  • RGME Workshops on “The Evidence of Manuscripts, Etc.”

We propose hold the next Workshop on 21 December.

“Thresholds and Communities”

Florence, Cathedral of Santa Maria del Fiore, Domenico di Michelino, Dante Alighieri with Florence and the Realms of the Divine Comedy (Hell, Purgatory, Paradise). Oil on canvas, 1465. Image Public domain, via Wikimedia Commons via https://commons.wikimedia.org/wiki/File:Dante_Domenico_di_Michelino.jpg.

As the year 2025 draws to a close, we reflect on our Theme for the Year, “Thresholds and Communities” particularly as it applies to our explorations of books and their makers, users, collectors, readers, and others — through our series of workshops and other events — and as we prepare for next year and its new theme.

  • Thresholds and Communities: RGME Theme for the Year 2025

Poster 2. 2025 Autumn Colloquium. Poster set in RGME Bembino.

Also, because the 2025 RGME Autumn Colloquium in late November will consider the subject of Fragments (manuscript and printed) from many perspectives, we may discuss some discoveries from that event and follow up with more materials which it helped to bring to light.

  • 2025 RGME Autumn Colloquium on Fragments

For example, do you have any manuscript or printed fragments that you would like to share or learn about? Bring them along, please, to our Zoom Meeting. Let’s see what we might learn together, and share the delights of discovery.

Registration

  • Workshop 9. Tickets

See you there!

Illumination from Hildegard’s Scivias (1151) showing her receiving a vision and dictating to teacher Volmar. Image Public Domain via Wikimedia Commons.

******

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Join the Friends of the RGME.

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2025 Annual Appeal

*****

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2025 Autumn Symposium on 17-19 October: Program

October 11, 2025 in Announcements, Manuscript Studies, RGME Symposia

2025 Autumn Symposium
of the Research Group on Manuscript Evidence

“Readers, Fakers, and Re-Creators of Book:
From Page to Marketplace and Beyond”

Part 2 of 2 in the
2025 Spring and Autumn Symposia

Friday – Sunday, 17-19 October 2025
Online by Zoom

Preliminary Program

Overview

Day 1. Friday 17 October at  1:30 – 5:00 pm EDT (GMT -4)
Day 2. Saturday 18 October at 9:00 am – 5:00 pm EDT (GMT -4)
Day 3. Sunday 19 October at 10:30am – 12:00am EDT (GMT -4)

Registration

  • 2025 RGME Autumn Symposium Registration

Symposium HomePage (information and updates)

  • 2025 RGME Autumn Symposium on Readers, Fakers, and Re-Creators of Books

Symposium Booklet (40-page illustrated booklet, available in two formats for printing)

  • Consecutive pages (8 1/2″ × 11″)
  • Foldable booklet (11″ × 17″ sheets)

Program

* = Research Group on Manuscript Evidence (Trustees, Associates, Consultants)

Day 1. Friday 17 October at  1:30 – 5:00 pm EDT (GMT -4)

Session 1. 1:30 – 3:00 pm

Session 1
“A Life Imprinted:
From Life to Words to Print”

Presider. * Beppy Landrum Owen (Council Member, Grolier Club; Trustee, Rare Book School; Graduate Student, Master of Liberal Studies Program, Rollins College)

Speaker

* Eve Kahn (Independent Scholar)

“A Life in Print:
Zoe Anderson Norris (1860-1914) and Her Millions of Autobiographical Words”

Note: Eve’s new book: Queen of Bohemia Predicts her Own Death: Gilded Age Journalist Zoe Anderson Norris (Fordham University Press, 2025)

Break. 3:00–3:30 pm

Session 2. 3:30 – 5:00 pm

Session 2
“Now You See It, Now You Don’t:
Forgeries at Work and Play”

Presider. * Beppy Landrum Owen

Speakers

Tara Peterson (Medieval Studies, University of York)

““The Spanish Forger: 19th-Century Medievalism and the Value of Forgery”

* Reid Byers (President of the Baxter Society and Author of:
The Private Library: The history of the Architecture and Furnishing of the Domestic Book Room;
and Imaginary Books: Lost, Unfinished, and Fictive Works Found Only in Other Books)

““Collecting the Imaginary and The Fortsas Affair”

*****************

Day 2. Saturday 18 October at 9:00 am – 5:00 pm EDT (GMT -4)

Session 3. 9:00–10:30 am

Session 3
“Reading the Pages:
Witnesses Examined”

Presider. * N. Kıvılcım Yavuz (University of Leeds)

Speakers

Janie Wright (University of Leeds)
“A Textual Examination of Leeds, Leeds University Library, Ripon Cathedral Library MS 5:
Petrus Riga’s Aurora”

Mildred Budny
“Biblioclasts as ‘Editors’ and Re-Creators of Books:
A Scholar’s View of Otto F. Ege’s Oeuvre, Repurposing Specimens from Manuscripts and Printed Books”

Break. 10:30–11:00 am

Session 4. 11:00 am – 12:30 pm

Session 4
“(Re)Writing the Classics:
William Henry Ireland AKA Shakespeare”

Presider. * David Porreca (Department of Classics, University of Waterloo)

Speaker

Jack Lynch (Department of English, Rutgers University)

“The Shakespeare Phantom:
William Henry Ireland and Manuscript Evidence”

Lunch Break. 12:30–1:30 pm

Session 5. 1:30 – 3:00 pm

Session 5
“Books and Their Agents/Agencies”
A Roundtable Discussion

Presider. * Justin Hastings (Research Group on Manuscript Evidence)

Panelists (Alphabetical Order)
* Mildred Budny
* Beppy Landrum Owen
* David Porreca
* N. Kıvılcım Yavuz
And Others . . .

Break. 3:00–3:30 pm

Session 6. 3:30 – 5:00 pm

Session 6
“Fashioning or Re-Fashioning Plates
and Scrap-Booking Stories”

Presider. * Jennifer Larson (Kent State University)

Speakers

Meghan Constantinou (Simmons University)

“Phoebe A. D. Boyle (1831-1923):
Work in Progress on a Forgotten Bibliophile”

* Beppy Landrum Owen

“More Tales from the Making of Andreas Vesalius’s Icones anatomicae:
A Progress Report for an Exhibition”

Irene Malfatto (Bruce McKittrick Rare Books, Philadelphia)

“Creating and Re-Creating Natural History in Early-Modern Europe:
The ‘Aldrovandi Scrapbook’ “

*****************

Day 3. Sunday 19 October at 10:30 am – 12:00 pm EDT (GMT -4)

Session 7. 10:30 am – 12:00 pm

Session 7
“Manuscript Remnants
Reused, Recovered, Collected, Reconsidered:
Agents and Agencies
in the History of Transmission”

Presider. * Hannah Goeselt (Massachusetts Historical Society Library)

Speakers

* David W. Sorenson (Allen G. Berman, Numismatist)

“Cahiers des Manuscrits Perdus:
From Codices to Covers via the French Revolution”

* Mildred Budny

And Others

Closing Remarks:

“Rounding out the Series of 2025 Spring and Autumn Symposia,
with a Preview of the 2025 RGME Colloquium on ‘Fragments’  ”

*************

Registration

  • 2025 RGME Autumn Symposium Registration

For information and updates see the Symposium HomePage

  • 2025 RGME Autumn Symposium on Readers, Fakers, and Re-Creators of Books

Cambridge, Massachusetts, Harvard University, Houghton Library, MS Typ 947, ‘verso’. Images via https://iiif.lib.harvard.edu/manifests/view/drs:6517512$1i.

*************

 

Tags: 2025 Autumn Symposium, 2025 Spring and Autumn Symposia, Aldrovandi Scrapbook, Forgery, Fortsas Hoax, Icones Anatomicae of Vesalius, Manuscript studies, Petrus Riga, Phoebe A. D. Boyle, William Henry Ireland, William Shakespeare, Zoe Norris Anderson
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Workshop 8: A Hybrid Book where Medieval Music Meets Early-Modern Herbal

October 11, 2025 in Announcements, Early-Printed Books, Event Registration, Manuscript Studies, Research Group Workshops, Workshops on "The Evidence of Manuscripts"

RGME Workshops
on
“The Evidence of Manuscripts, Etc.”

Workshop 8
“Face the Music, or,
Where Manuscript Meets Print
in a Hybrid Book:

An Early-Modern German Astrological Herbal
with a Reused Binding Fragment
from a Medieval Musical Manuscript”

Sunday 26 October 2025
Online by Zoom

[Posted on 15 September 2025, with updates)

Our series of Workshops on “The Evidence of Manuscripts, Etc.” continues with an exploration of a hybrid book for Workshop 8.

The Hybrid Book

This workshop will examine a puzzling vellum fragment (or is it a set of patchwork fragments?) in a private collection. The fragment(s) come(s) from a single musical manuscript in Latin on vellum laid out in double columns with text and notation on 4-line staves. The reused medieval material forms the outer covering of a 17th-century printed book in German on laid paper.

Private Collection, Front Cover with Reused Medieval Musical Fragment on Vellum. Photograph by Mildred Budny.

The Musical Fragment and its ‘Find-Place’

For the musical fragment, we will work to decipher the visible parts of the text and music, identify the readings/lections and chants, and, if possible (given the fragmentary nature), determine the probable genre of original manuscript, such as lectionary, breviary, antiphonary, or missal. Perhaps, over time, we might find other survivors from the same despoiled medieval manuscript.

Narrowing down its possible origin—or location in the early 17th century or later when it came to be reused as a binding cover–might aid the quest to determine the circumstances of its reuse and whence other parts of it might have been disseminated, whether as reused binding materials or otherwise.

For the workshop, we will examine the features of the printed book. It includes multiple woodcut illustrations and occasional marginalia in forms of annotations demonstrating attention of several kinds to the contents of the herbal.

What brought this medieval musical fragment and early modern printed book together? Even if we might never know all the answers, won’t it be fun to question how and why? There is a story here.

We love the puzzles, and give thanks to the collector for lending the book to the RGME for study and teaching and for sharing it with our audience in this workshop and beyond.

Information

People who be participating at the workshop to offer observations, reflections, and suggestions about the composite volume include (in alphabetical order):

Phillip Bernhardt–House

Mildred Budny

Natalia Fay

Leslie French (represented by a report on the musical manuscript fragment)

Beppy Landrum Owen

David Porreca

David W. Sorenson (with some specimens of herbals mentioning astrological influences)

And others.

At our 2024 Spring Symposium at Vassar College, Natalia delightfully described her work for her exhibition on herbals then on display in the Art Library. She shares the poster and brochure for the exhibition with us, as she returns to our events in this workshop to report on her continuing interests in plants, books, manuscripts, and their transmission.

  • Natalia Fay, Botanicals Thesis Poster
  • Natalia Fay, Arcane Botanicals Program

The Manuscript Fragments

The visible portions of the manuscript appear, with only one side facing and the other side hidden, on the outer sides of the front and back covers, spine, and fore-edges of the binding.

Their text and music on four-line staves stand upright on the volume. Written in Gothic script, the parallel lines of music and text have some elements in red and blue pigments. There are ten lines on the front cover and on the spine, but the back cover has an additional line of music at the bottom, amounting to 10 1/2 lines on this portion. Each portion of the fragment shows a single column, or part of one. At the right on the back cover, the right-hand side of the fragment extends beyond the column with an expanse of outer margin from its original extent.

Sections open with 2-line initials which span the full height of the paired lines of music-and-text, for which the staves separate their horizontal course. One initial comprises a blue capital I (front cover, line 7). Three band-like initials comprise decorative forms in black ink with a vertical twist at the left-hand side; red pigment fills the centers of their twists (front cover, lines 2 and 6; back cover, line 2).

1. Front Cover

Private Collection, Front Cover with Reused Medieval Musical Fragment on Vellum. Photograph by Mildred Budny.

2. Back Cover

Private Collection. Musical Manuscript Fragment, Back Cover with ruler.

Spine

Private Collection. Hybrid book with Musical Manuscript Fragment, Spine View.

The Printed Book

The printed text comprises the German Kreutterbuch (“Book of Herbs”), an astrological herbal, by Bartholomaeus Carrichter (1510–1574), in an early edition printed in Strasbourg in Alsace in 1606. The author, who wrote under the pseudonym of Philomusus Anonymus, was physician to Ferdinand I (1503–1564), Holy Roman Emperor from 1556, and his son Maximilian II, Holy Roman Emperor from 1564 to 1576. The first edition of his Kreutterbuch was printed in Strasbourg in 1517 by Chistian Muller. For later editions, the physician, poet, and alchemist Michael Toxites (1515–1581), whose birth-name was Johann Michael Schütz, added some material to Carrichter’s work and edited it.

One of various versions of the illustrated genre by different authors (see, for example the Kreutterbuch desz Hocgelehrten und Weitberuhmten Herrn D. Petri Andreae Matthioli . . . ), this book combines information about plants, use, and lore with astrological considerations.

Title Page

A catalogue description of the volume characteristically derives from information on the title page:

Philomusus Anonymous [Bartholomaeus Carrichter (1510–1574)], Horn des Heyls menschlicher Blödigkeit, oder Kreütterbuch, darinn die Kreütter des Teutschenlands auss dem Liecht der Natur nach rechter Art der himmelischen Einfliessungen beschriben / durch Philomusum Anonymum [Bartholomäus Carrichter], with a foreword by Michael Toxites, born Johann Michael Schütz (1514–1581), (Strassbourg: Anton Bertram, DCVI/1606).

An inscription in light black ink at the foot of the title page gives the initials “G. S.” Perhaps they refer to an owner.

Private Collection, Kreutterbuch, title page. Photograph by Mildred Budny.

For the first edition of 1576, printed in Straßburg, see an online digital facsimile of a copy in Augsburg, Staats- und Stadtbibliothek. For an edition of 1619 also printed by A. Bertram, see the copy in the Wellcome Collection.

Like the 1619 edition, this folio volume has 10 unnumbered pages, 180 numbered pages, and 5 unnumbered leaves, with a woodcut title page and outline illustrations. Interspersed within the columns of text, the book has 58 outline illustrations depicting the herbs which it describes. For example, borage (Borago officinalis) or starflower:

Private Collection, Carrichter’s Kreutterbuch (Strasbourg, 1604). Borage. Photography by Mildred Budny.

Up close:

Private Collection, Carrichter’s Kreutterbuch (Strasbourg, 1604). Borage. Photography by Mildred Budny.

For comparison: Borage ‘In The Wild’

Borago officinalis. Photograph by By Christian Orlandi (12 April 2025) – Own work, CC BY-SA 4.0. Image via Wikimedia Commons via https://commons.wikimedia.org/wiki/File:Borago_officinalis_(2025).jpg.

Some marginal annotations in brown ink amplify or comment upon passages.

Private Collection, Carrichter’s Kreutterbuch (Strasbourg, 1604). Textual opening with marginal Annotations. Photography by Mildred Budny.

*****

Registration for the Workshop

We invite you to join the quest.

  • https://www.eventbrite.com/e/workshop-8-a-hybrid-book-with-astrological-herbal-and-medieval-missal-tickets-1340074201009

*****

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

Visit our Social Media:

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  • Contact Us

Visit our Social Media:

  • our Facebook Page
  • our Facebook Group
  • our X/Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
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Join the Friends of the RGME.

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2025 Annual Appeal

*************

Tags: astrological herbals, Bartholomaeus Carrichter, Early modern printing, history of herbals, history of printing, Kreutterbuch, manuscript fragments, Manuscript Fragments Reused in Bindings, Manuscript studies, medieval musical manuscripts, Michael Toxites
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Episode 23. “Meet RGME Bembino: Facets of a Font”

September 1, 2025 in Bembino, Book, Design, Event Registration, Manuscript Studies, Research Group Episodes for The Research Group Speaks, Research Group Speaks (The Series)

“The Research Group Speaks”
Episode 23

“Meet RGME Bembino:
Facets of a Font”
A Conversation

Saturday 28 February 2026
1:00–2:30 pm EST (GMT-5) by Zoom

[Posted on 31 August 2025, with updates]

As the series wherein “The Research Group Speaks,” we respond to suggestions and requests as the series unfolds. For information about the series, please see:

  • “The Research Group Speaks”: The Series

The Plan

Join us for an informal conversation with the RGME Font-Designer, the RGME Director, an author, a graphic designer, and others who use our copyright multi-faceted multi-lingual digital font Bembino for scholarly or literary work, quality book-layout, and everyday use.

Years in the making, and responsive to requests (such as recently for Elvish),  Bembino is freely available for use whether commercial or non-commercial. It is FREE for download on our RGME website. It continues to develop, and we welcome feedback.

For our Episode, we gather experts to report on their experience with the font, its use, its abilities, and its beauty.

  • Leslie J. French (see the Interview with our Font and Layout Designer)
  • Mildred Budny (Mildred Budny: Her Page)
  • Reid Byers), author of Imaginary Books (Oak Knoll Press, 2024) — the first full-length book to be set in RGME Bembino
  • Matthew Young), designer of Reid Byer’s book and exhibition catalogue of Imaginary Books

Front Cover: Imaginary Books by Reid Byers (Oak Knoll Press, 2024), via https://reidbyers.com/?page_id=147; see https://www.oakknoll.com/pages/books/141071.

We welcome you to share your observations and requests.

Poster announcing Bembino Version 1.6 (January 2019)

Meet the Font

This Episode features presentations by:

  • the RGME Font Designer, Leslie French;
  • the Director of the RGME, Mildred Budny;
  • the author of the first full-length book set in RGME Bembino, Reid Byers;
  • the graphic designer for that book, Matthew Young.

Information

  • Bembino
  • Multi-Lingual Bembino
  • Bembino WP for Word
  • Bembino: Handlist of Resources

Registration

  • Episode 23. Meet RGME Bembino: Registration
Cover page for 'Multi-Lingual Bembino' demonstrating specimens from a wide range of languages typeset in Bembino

Multi-Lingual Bembino Booklet Cover

Tracks

Keep track of the series as it unfolds:

  • “The Research Group Speaks”: The Series

*****

Tags: Bembino WP for Word, digital fonts, Font Design, graphic design, History of Design, history of printing, Imaginary Books, Multi-Lingual Bembino, RGME Bembino, The Research Group Speaks
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2025 International Congress on Medieval Studies: Report

August 24, 2025 in Abstracts of Conference Papers, Announcements, Business Meeting, Call for Papers, Conference, International Congress on Medieval Studies, Kalamazoo, Postal History at Kalamazoo, Societas Magica

RGME Activities
at the
2025 International Congress
on Medieval Studies:
Report

60th ICMS
Thursday through Saturday, 8–10 May 2025
(with Sessions variously
in Person, Online, or Hybrid)

[Posted on 20 August 2025]

Vista at the 2025 ICMS. Photograph by David W. Sorenson.

With the successful completion of our RGME activities at the 2025 International Congress on Medieval Studies, we offer a Report. For information about the Congress more generally:

  • About the Congress itself, see International Congress on Medieval Studies (ICMS).
  • About the 2025 Congress overall, see its website.

Building Blocks

The RGME activities at the 2025 Congress came into being in stages, according with the timetable for preparations for the annual ICMS from one year to the next.

1) First, as an Annual Congress takes place (for example, see our 2024 International Congress on Medieval Studies Report), we begin to confer about plans for the next year. We do so among ourselves and with current or potential co-sponsoring organizations who also make plans. At each Congress, our Open Business Meeting provides a gathering point to confer, share ideas, and spread the word to generate interest and find collaborators.

2) After designing the proposed sessions, we submit them by 30 May to the Congress Committee for approval, and then issue the Call for Papers, with the deadline of 15 September.

3) After the close of the CFP, selecting among the proposals received, we design the Program for each Session, with its Organizer or Co-Organizers, Presider, Speakers, and perhaps also a Respondent. In some years, as with 2025, our initial proposal can identify a subject for two sessions, Parts I and II.  In some years, as with 2025, the strength and number of responses to the Call for Papers can lead us to seek, in some cases, two sessions (Parts I and II) in place of the one which we had proposed.

4) When ready, the Programs for our Sessions — presenters, sequence of papers, response(s) if included — are sent to the Congress Committee by 15 October for review and approval. That is the time also for booking our Open Business Meeting at the Congress and, in some years, a Reception.

5) In due course, the program of the Congress in full is set into place, as the Committee determines its order to announce it. Thus we can learn the date-, time-, and room-assignments of our set of activities.

6) Our custom is to announce our activities for a given Congress on our website, in a HomePage of its own, like the one for the 2025 Congress. The HomePage serves as an information center, with updates as appropriate, such as when the Congress approaches and there might be changes such as in the room assignment or details of the program for a given session.

7) From the HomePage are launched the Abstracts for Papers, as the speakers might allow.  Note that the Abstracts are indexed, for convenience, in two ways:

  • By Year
  • By Author (Surname)

Venue at the 2025 ICMS. Photograph by David W. Sorenson.

8) On site, as the Congress takes place, our activities unfold in their sequence as listed in the Program or adapted through changes. For 2025, our activities comprised the sponsored and co-sponsored Sessions of Papers; and our Annual Open Business Meeting at the Congress.  The line-up by the time of the Congress:

  • 2025 International Congress on Medieval Studies.

All these events were successfully accomplished, with some adaptations within them as required. Hybrid sessions recorded by the Congress were available for viewing afterward by Congress registrants, for an assigned period.

9) Afterward, comparing notes and gathering photographs taken at the time, we produce the Report.

********************

Los Angeles, Getty Center, Ms. Ludwig XV 7 (83.MR.177), fol. 1. Scipio and Guillaume de Loris Lying in Their Beds Dreaming. Image Public domain, via Wikimedia Commons.

Building upon our successful activities at the 2024 ICMS (see our 2024 International Congress on Medieval Studies Report), we prepared for the 2025 ICMS. First we proposed a set of sessions, sponsored and co-sponsored. Then, when they had been accepted by the Congress Committee, we issued the Call for Papers (CFP) for our proposed Sessions. The strength and number of the responses by the due date (15 September 2024) led us to seek, in some cases, two sessions in place of the one which we had proposed.

With the Congress Program set into place or revised, we presented the Program of our activities, both sponsored and co-sponsored. We give thanks to our organizers, co-organizers, presenters, respondents, advisors, co-sponsors, participants, and audience both in-person and online, and to the Congress, its staff, and its co-ordination.

Read the rest of this entry →

Tags: Manuscript studies, Medieval Studies
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2025 RGME Autumn Symposium on “Readers, Fakers, and Re-Creators of Books”

August 24, 2025 in Announcements, Conference, Conference Announcement, Event Registration, Manuscript Studies, Visits to Collections

2025
RGME Autumn Symposium

Part 2 of 2 in the 2025 Symposia on
“Agents and Agencies
in the Shaping
or Re-Shaping of Books”

“Readers, Fakers, and Re-Creators of Books:
From Page to Marketplace and Beyond”

Online Format
(Friday to Sunday 17–19 October)

[Posted on 20 August 2025, with updates]

Cambridge, Massachusetts, Harvard University, Houghton Library, MS Typ 947, recto. Image via https://iiif.lib.harvard.edu/manifests/view/drs:6517512$1i.

The RGME continues with its integrated pair of 2025 Spring and Autumn Symposia, as Parts 1 and 2 for the year. The 2025 Autumn Symposium in October takes shape as Part 2 of 2. For Part 1 of 2, which took place in March, see:

  • 2025 Spring Symposium on “Makers, Producers, and Collectors of Books”

For the predecessors in 2023 and 2024, see:

  • 2023 Spring and Autumn Symposia,
    with the year’s Theme of “Structures of Knowledge”
  • 2023 Pre-Symposium on “Intrepid Borders”
  • 2023 Spring Symposium “From the Ground Up”
  • 2023 Autumn Symposium “Between Earth and Sky”
  • 2024 Spring and Autumn Symposia”,
    with the year’s Theme of “Bridges”
  • 2024 Spring Symposium at Vassar College
  • 2024 Autumn Symposium

In 2025, they respond to our Theme for the Year:

  • “Thresholds and Communities”
  • Episode 19. “At the Gate”

Our Spring Symposium as Part 1 of 2 for 2025 took place successfully in online format in March.

  • 2025 Spring Symposium on “Makers, Producers, and Collectors of Books”

We thank our contributors, organizers, advisers, sponsors, and hosts.

British Library, Royal MS 14 E. v, vol. 1, fol. 3r. Image Public Domain via Wikimedia Commons.

The Interlinked Pair
of 2025 Symposia

Following the momentum of activities and enthusiasm in our 2024 Anniversary Year, the pair will draw upon the customary informal, but structured, approach of our events, symposia included.  These symposia will take place online or in partly hybrid format.

“Agents & Agencies” for 2025

As principal focus, our 2025 Symposia consider the myriad aspects and impact of agents and agencies (human and other) in the creation, dissemination, use, abuse, re-creation, safe-guarding, and enjoyment of books across time and place.

I. Spring Symposium (Part I of 2)

“Makers, Producers, and Collectors of Books:
From Author/Artist/Artisan to Library”

Friday to Sunday
28–30 March 2025 by Zoom

  • 2025 Spring Symposium on “Makers, Producers, and Collectors of Books”

This event explored the genesis and gestation of books, from first thoughts to processes of production leading to the finished product, and then to their owners and users.

For example, for the first stages, we could consider the author alone in his or her study, putting pen to page or thought to written word. Around him might, naturally, whether close at hand or in his memory or imagination, stand other books as examples or sources of inspiration, imitation, or perhaps plagarism.

The work of composing, copying, revising, and producing draft, fair, or final copies of the texts (with images where and as indicated) could be undertaken by more than one author, artist, and/or artisan. If so, would they work in tandem, sequence, or competition? Well, that might depend.

As the work progresses, there arrive further stages which create the issue or publication of the book, which then may enter the world in processes of dissemination, instruction, and incorporation within an individual or collective collection — or, it might be, from collection to collection, in one shape or another. The changed shapes could, of course, pertain to the book itself and/or the ownership.

British Library, Royal MS 14 E. 1, vol. 1, fol. 3r. Image Public Domain via Wikimedia Commons.

Note on the Image. Frontispiece/headpiece for the first volume of the Speculum Historiale (or Miroir historial) by Vincent of Beauvais (1184/1194 – c. 1264) in the Old French translation by Jean de Vignay (circa 1282/1285 – c. 1350). Bruges, circa c. 1478–1480, for Edward IV (1442–1483, king from 1461–1470 and again from 1471-1483). On this page, at the front of Vincent’s text, above its opening columns of script, the author sits as scribe in a book-furnished study, framed within an architectural arcade and set within an elaborate border containing the king’s arms below.

See more:

  • 2025 Spring Symposium on “Makers, Producers, and Collectors of Books”

*****

II. Autumn Symposium (Part 2 of 2)

“Readers, Fakers, and Re-Creators of Books:
From Page to Marketplace and Beyond”

Friday to Sunday, 17–19 October 2025
 Online by Zoom

In the Autumn Symposium, we follow up the explorations of the Spring Symposium as we turn to consider the ‘afterlives’ of books once they reach their audience, whether through the marketplace or other modes of presentation and distribution. Such conditions may acquire a life of their own, as readers, annotators, users, owners, thieves, despoilers, and others had or took a hand in shaping or reshaping their destinies — that is, of the books, those agents, and book history.

As examples, we may point to readers who would reshape the pages by placing their comments, revisions, scribbles, or sketches upon them. So, too, forgers as well as plagarists might appropriate others’ work as their own, say by reshaping its structure, grafting on other pieces, or extracting parts to re-assemble and redistribute in other forms for their own purposes. And then there are outright hoaxes, by which inventions purport to represent an activity or creation which exists only or principally by that newly implemented form.

Appropriation of others’ work might also occur, for example, as leaves or scraps of books were extracted, cut into further pieces, perhaps refolded, and reused as coverings or parts of bindings for other texts (manuscript or printed), or for other repurposed materials. Call it recycling for the sake of the materials themselves, put to different uses.

A different form of reuse concerns the fragmentation of books for the purpose of extracting leaves or part-leaves to serve as specimens of script, decoration, illustration, and/or graphic design. That approach forms the subject of our 2025 Autumn Colloquium on Fragments. See:

  • the 2025 RGME Autumn Colloquium on Fragments, taking place in November partly at Special Collections at Firestone Library at Princeton University.

Picking up the pieces of such fragmentation, that event is designed to showcase the legacy of such despoilers or ‘biblioclasts’ who dispersed the fragments of manuscripts and printed books far and wide and to celebrate the many initiatives to study and, in some measure, reconstruct the traces of that legacy. It considers such phenomena within the larger context of the ‘afterlives’ of books in many other forms as well.

The rôles of forgers, fakers, and frauds as agents in the production, re-creation, and distribution of books looms large in the history of books, perhaps from time immemorial. Our Symposium sets their activities or accomplishments into the context of “Agents and Agencies” as we examine the broad setting of books overall.

Speakers, Presiders, and Respondents

Participants who may speak, preside, or respond include (in alphabetical order):

Mildred Budny
Reid Byers
Meghan Constantinou
Jamie Cumby
Hannah Goeselt
Justin Hastings
Eve Kahn
Jennifer Larson
Steven Lomazow
Jack Lynch
Irene Malfatto
Beppy Landrum Owen
Anna Siebach–Larsen
David W. Sorenson
Janie Wright
N. Kıvılcım Yavuz

And others.

Program Overview (online by Zoom)

Day 1. Friday 17 October at  1:30 – 5:00 pm EDT (GMT -4)

Day 2. Saturday 18 October at 9:30 am – 5:00 pm EDT (GMT -4)

Day 3. Sunday 19 October at 10:30am – 12:00am EDT (GMT -4)

Program of Sessions

  • 2025 Autumn Symposium on 17–19 October: Program

Poster

The 2025 Autumn Symposium Poster is available for download. You are welcome to copies to circulate, keep as souvenirs, and show your friends.

  • 2025 RGME Autumn Symposium Poster

Symposium Booklet

We publish the 40-page illustrated Symposium Booklet, available in two formats for printing.

  • Consecutive pages (8 1/2″ × 11″)
  • Foldable booklet (11″ × 17″ sheets)

We give thanks to the contributors, photographers, collectors, advisors, editor, layout designer, and others who created the collective booklet.

British Library, Royal MS 14 E. v, vol. 1, fol. 3r. Image Public Domain via Wikimedia Commons.

Thanks

We give thanks to the speakers, respondents, advisers, back-up support, and participants for contributing to the symposium and its 2025 series of Spring and Autumn Symposia.

*****

Registration

  • https://www.eventbrite.com/e/2025-rgme-autumn-symposium-tickets-1236732924469

Registration is free. We encourage you to Pay What You Can by the option for Registration with a Voluntary Donation.

This year, the RGME has undergone setbacks with grants and funding, so that we ask your help. Any amount will give encouragement and contribute to recovering momentum. We thank you for your support.

Donations, which may be tax-deductible, help us to continue with our activities and sustain our mission for an organization principally powered by volunteers.

  • 2025 Annual Appeal
  • Donations and Contributions

Please note that, after registration, the Zoom link will be sent as an email from the RGME a few days before the event. For security reasons, we do not distribute tickets or links through Eventbrite or Zoom.

To register for other RGME events, please visit the RGME Registration Collection.

  • RGME Events

For our activities planned for 2025, see:

  • 2024 Activities and 2025 Planned Activities

*****

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

How to Join our Community

Visit our Social Media:

  • our FaceBook Page
  • our Facebook Group
  • our X/Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our Instagram Page
  • our LinkedIn Group

Join the Friends of the RGME.

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2025 Annual Appeal

*****

Cambridge, Massachusetts, Harvard University, Houghton Library, MS Typ 947, ‘verso’. Images via https://iiif.lib.harvard.edu/manifests/view/drs:6517512$1i.

Tags: Fakers and Forgers, History of Manuscripts, Manuscript Readers, Manuscript studies, Recreators of Manuscripts, RGME Symposia
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Episode 22: “Encounters with Local Saints and Their Cults”

August 20, 2025 in Announcements, Event Registration, Manuscript Studies, Research Group Episodes for The Research Group Speaks, Research Group Speaks (The Series)

“The Research Group Speaks”
Episode 22

“Encounters with
Local Saints and Their Cults:
Traces in
Prose, Poetry, and Relics”

Saturday 13 December 2025
1:00–2:30 pm EST (GMT-5) by Zoom

[Posted on 20 August 2025, with updates]

For the series wherein “The Research Group Speaks,” we respond to suggestions and requests as the series unfolds. For information, please see:

  • “The Research Group Speaks”: The Series

For Episode 22 we turn to reports by several scholars working in different areas and language-groups upon a similar subject of perennial interest in religious, historical, and devotional identities. Presentations will be accompanied by responses, followed by opportunities for feedback and discussion.

This Episode considers the characteristics of veneration of local saints, as manifested in the surviving evidence, especially in manuscripts. Among the materials are vitae, hymns and liturgical practices for saints’ feast days. The nature of the subject, as well as research work and discoveries in a variety of fields, shows that this episode offers scope for follow-up in one or more episodes in our series.

Speakers and Respondents

  • Guesh Solomon Teklu (Hiob Ludolf Centre for Ethiopian & Eritrean Studies, University of Hamburg)
  • Augustine Dickinson (University of Münster)
  • Mersha Alehegne Mengistie (Addis Ababa University; University of Hamburg)
  • Antony R. Henk (Ruhr-University Bochum)

Presider

  • Renate Blumenfeld–Kosinski (Renate Blumenfeld–Kosinski)

Outline

London, British Library, MS Royal 14 B VI, detail. King Edward Martyr, Image Public Domain via Wikimedia Commons via https://upload.wikimedia.org/wikipedia/commons/e/e3/Edward_the_Martyr_-_MS_Royal_14_B_VI.jpg.

This episode aims to consider the challenges and opportunities when encountering and studying local saints, those whose renown and veneration might not have reached a wide audience or enjoyed a persistent duration. Nonetheless, their stories and the individuals or communities who both followed and cultivated their appeal can reach across time and place to show how the habits of pious practices and the methodologies for discovering materials and contexts in modern study might be shared in widely different cultures, languages, and periods.

Looking at case studies from complete vitae, where the saint’s biography is given in full but only circulated locally, and progressing to hymns and paracontent, where only names and scattered biographic hints survive, the speakers and respondents will reflect on the methodological challenges posed in each instance and strategies for engaging with them.

Among the subjects will be Ethiopic vitae and hymns and Western Medieval liturgical Kalendars (such as in Books of Hours in Latin and/or vernaculars). Evidence includes manuscripts, printed sources, and textiles.

Program

1. Presentations

Guesh Solomon Teklu

Guesh will present some newly digitized manuscript witnesses of previously unidentified gadlāt (vitae) for local saints from Tǝgrāy (Northern Ethiopia).

Augustine Dickinson

“Identifying Ethiopic Hymns for Local Saints in Anthology Manuscripts”

When working with manuscript anthologies or collections of malkǝʾ-hymns, it is most often the case that the saints whose hymns are included are well-known and easily identified, whether they are saints known across Christian traditions or saints proper to the Ethiopian/Eritrean context. This paper will present case studies where the subject of a hymn is not so easily identified, always monastic saints commemorated only by a single monastery or within a relatively small network. Each case study will highlight strategies for finding clues leading to identifications (whether tentative or confident) of their respective subjects and contribute to broader remarks on this phenomenon in the field of Ethiopic hymnography.

2. Responses

  • Mersha Alehegne Mengistie will describe experiences with and discoveries for local hagiography in Ethiopia broadly and their implications for publication.
  • Antony R. Henk will examine evidence for a cult for Peter the Deacon, papal secretary and biographer to Gregory the Great, as an unusual saint. (Note that this figure is not the 12th-century saint, Peter the Deacon.)

3. Q&A

There follows the opportunity for questions, comments, and discussion. We welcome your observations.

Manuscript still in situ. Fols. 14v-15r. The beginning of Malkəʾa Marqorewos (Image of Marqorewos), a local saint of the monastery Ṣaʿadā ʾƎmbā ʾƎndā ʾAbuna Marʿāwe Krǝstos, within an anthology (malkǝʾa gubāʾe) manuscript. Photograph by Michael Gervers. Image via https://malkeagubae.com/manuscripts/MK049/#unit1item3.

Registration

Within the RGME Eventbrite Collection:

  • Episode 22. “Encounters with Local Saints and their Cults” Registration

Registration is free. We encourage you to Pay What You Can with the option for a Voluntary Donation. This year, the RGME has undergone setbacks with grants and funding, so that we ask your help. Any amount will give encouragement and contribute to recovering momentum. We thank you for your support.

Trier, Stadtbibliothek, MS. 171/1626: “Gregory Leaf”. Behind a curtain, Peter the Deacon witnesses Gregory the Great at work inspired by the Holy Spirit in the form of a dove. Master of the Registrum Gregorii, Image Public domain, via Wikimedia Commons.

Donations, which may be tax-deductible, help us to continue with our activities and sustain our mission for an organization principally powered by volunteers.

  • 2025 Annual Appeal
  • Donations and Contributions

Please note:

  • After your registration, the RGME will send you the Zoom Link as an email directly a few days before the event
  •  For security reasons, we do not distribute tickets or links through Eventbrite or Zoom.

If you have questions or problems with registering, or accessing the link,

  • Contact the RGME, not Eventbrite or Zoom,
    via rgmesocial@gmail.com

We use these measures to protect the security of our events.

Thank you for your interest in this event.

*****

Next Episode

Bembino Swash Motif

For our next Episode, see

  • Episode 23. Meet RGME Bembino: Facets of a Font
    Saturday 21 February 2026 at 1:00-2:30 pm EST (GMT-5) by Zoom

Registration

  • Episode 23. Meet RGME Bembino: Registration

*****

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

Visit our Social Media:

  • our FaceBook Page (https://www.facebook.com/people/Research-Group-on-Manuscript-Evidence/100064718795029/)
  • our Facebook Group (https://www.facebook.com/groups/rgmemss/)
  • our X/Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our Instagram Page
  • our LinkedIn Group

Join the Friends of the RGME.

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2026 Annual Appeal

*****

Tags: History of Religion, Hymns and Hymnody, Liturgical Kalendars, Local Saints, Manuscript studies, Saints' Cults
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2026 ICMS at Leeds: Call for Papers

August 13, 2025 in Announcements, Call for Papers, Conference, Conference Announcement, International Medieval Congress, Manuscript Studies

Call for Papers

Sessions Sponsored
by the Research Group on Manuscript Evidence

at the 2026 International Medieval Congress
(In person or Hybrid)
6–9 July 2026

“Manuscripts at Play and as Play:
Temporalities and (Re)Configurations
as Reading Methods”

Organisers:
Michael Allman Conrad
and Mildred Budny

Name of the Game

For 2026 the RGME proposes to explore the nature of play in manuscripts across time and place.  We think of manuscripts at play, as play, and in play.

With the success of our activities at the International Medieval Congress (IMC) at Leeds in 2024 and 2025, we prepare for another year responding to the “Special Thematic Strand” selected for the 2026 IMC. Thus, we announce our Call for Papers here and now.

For information about the IMC and its plans for 2026, see:

  • International Medieval Congress at Leeds
  • Call for Papers for the 2026 IMC, with the Special Thematic Strand of “Temporalities”.
  • IMC 2026 Padlet, with poster-like announcements of Calls for Papers

Locating Manuscripts in Their (Mobile) Temporalities

For the 2026 IMC and its Special Theme, we will consider manuscripts in terms of the essence of their ‘temporalities’ (also see Temporalities) — that is, in a nutshell, “the state of existing within or having some relationship with time”, which pertains intrinsically to any physical object, just like its “spatial position”. That essence or condition, combining location with points in time, forms both centerpiece and focus-point going forward in our continuing studies of Manuscript Evidence.

Building upon the success of our activities at the annual IMC in 2024 and 2025, we propose to extend the subject of one of our Sessions at the 2025 Congress:

  • “Knowledge Games and Games of Knowledge”, organised by Michael Allman Conrad (see RGME @ 2025 IMC: Program)

2025 Leeds: “Knowledge Games and Games of Knowledge” Poster 1. Set in RGME Bembino.

Next, we seek to examine games and playful approaches of multiple kinds with regard to manuscripts. The opportunities across time range from the creation of a book to its use in the world. We observe, for example, habits of entering scribbles and sketches as spontaneous or imaginative playtime on the one hand to creating and transmitting texts about games or gaming strategies.

Aims

By their nature, whether text or image, the planarity of manuscript surfaces offers invitations for readers to engage with them playfully. This play entails a process of temporalisation, of setting manuscript elements into motion, resulting in configurations and re-configurations that are keys for deciphering hidden — or less apparent — meanings. While carmina figurata or picture poems may range among the most obvious examples, they are by no means limited to them. Such elements can include scribbles and sketches, diagrams (including game diagrams specifically), material extensions (such as volvelles and other pop-up features), acrostics, and other puzzles. We consider the performativity and dynamics at work, or play, on the pages.

We invite contributions on a wide range of materials and genres and from a variety of perspectives and any discipline, to consider case-studies, work-in-progress, or research results celebrating the roles of play in which manuscripts engage, and which they might inspire in us as readers, scholars, and beholders. Want to play? Are you game?

Papers might address, but are not limited to the following questions:

  • Are there any contemporary reflections on time and motion as keys for interpreting the playful elements of manuscripts, e.g., acrostics, scientific diagrams, or game diagrams (or others)? What can they tell us about the relationship of readers/spectators with time and across time?
  • As they are artworks and semantic devices at the same time, what may playful components tell us about how the similarities as well as differences between art and writing/reading were perceived at points of creation and use?
  • How did readers know how to decipher these playful elements? What part may contemporary game culture take in this understanding? What could the presence of playful elements in manuscripts indicate about the position of play and games within the broader scope of their culture?
  • What are possible reasons why scribes decided to include these elements exactly at this position within a manuscript? What strategies (be it either aesthetic, religious, cultural, or otherwise) may their application serve?
  • How does a preference for a playful element, its style and form, possibly tie into idiosyncrasies of the period?
  • What relationship between what can or cannot be known is expressed in the interplay between the visually hidden and virtually absent?

Proposals, Please

Please submit a title, an abstract of no more than 200 words, and a short bio by 15 September 2025 to

  • rgme.imc.sessions@gmail.com

We particularly welcome proposals for individual papers and panels from postgraduate and early career scholars. We look forward to your responses.

Images

Examples of dynamic constructions involving word-play upon the page include the elaborate, intricate, and beautiful picture-poems favoured among some authors, not least at in the early medieval period. We display specimens by the Carolingian author Hrabanus (or Rabanus) Maurus Magnentius (circa 780 – 856), Archbishop of Mainz (from 847). His poem De laudibus sanctae crucis (“In Praise of the Holy Cross”), which survives in multiple copies, contains a series of poems laid out as rectangular constructions in which each line contains the same number of letters as any other.

Their patterns make it possible to lay out the letters not only in horizontal lines but also in vertical rows, strictly in line with each other. Moreover, it is possible to read key portions vertically as well as horizontally. Reading vertically in a line using the initial, medial, or final letter of each line yields an acrostic, mesostic, or telestic. Such forms of cross-word puzzles can produce wonders of legibility, requiring the attention in steps of time to gain comprehension of the message as a whole. Adding images to the ensemble increases the layering of meanings, and the possibilities of wonderment through resonance.

Vienna, Österreichische Nationalbibliothek, Cod. 652, fol. 20v (scan 50 of 109). Hrabanus Maurus, De laude sanctae crucibus. Mainz or Fulda, 9th century (circa 830-840). Carmen figuratum with four Evangelist symbols surrounding the Lamb of God. Image via https://viewer.onb.ac.at/10048D05/.

Vienna, Österreichische Nationalbibliothek, Cod. 652, fol.
Image https://viewer.onb.ac.at/10048D05/.

Questions or Suggestions?

  • Leave your comments or questions below
  • Contact Us
  • Sign up for our Newsletter and information about our activities.
    Send a note to director@manuscriptevidence.org or RGMEevents@gmail.com

Visit our Social Media:

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Join the Friends of the RGME.

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Attend our next Events if your timetable allows.

Consider making a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2025 Annual Appeal

We look forward to hearing from you and welcoming you to our events.

*****

 

Tags: Acrostics, Call for Papers, Carmina Figurata, De laudibus sanctae crucis, Diagrams, History of Games, Hrabanus Maurus, International Medieval Congress, Manuscript studies, Manuscripts and Temporalities, Manuscripts as Play, Manuscripts at Play, Medieval manuscripts, Picture Poems, Scribbles and Sketches
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